2/24/2026 at 7:51:21 PM
Movies screenwriters seem to have found the perfect balance.A character description looks like this: "APOLLO CREED. Creed is twenty-eight years old. He is a tall, smooth-muscled Black with barely a scar on his light coffee-colored face."
It includes everything important for casting this guy. It doesn't say what he's wearing, hair style, things like a wedding ring. Once they cast an actor, the actor fills this up.
Fight scenes are designed to be as fast to read as the action. Poor writing is something like, "Terrorists B and C fire RPGs at the van. The van makes evasive maneuvers. After the third rocket, the van flips off road." It doesn't make the story nor the scene clearer.
The better script: "The van takes evasive maneuvers to dodge the RPGs. BLAM! BOOM! BANG! The van flips off road."
Maybe when filming, they realize two rockets make more sense. Leave the implementation details to the experts.
However dialogue forms a large part of these scripts. Dialogue is engineered by writers, right down to the syllables. (Funny enough, AI screenwriters often forget syllables exist, and you can tell because they're difficult to actually speak)
What's the purpose of the spec? Instructions? To iron out risks and roadblocks? The document should aim for the bare minimum for that. What's your "dialogue" part - the thing that you need analysts to plan out precisely?
by muzani