2/26/2026 at 9:52:38 AM
> Throughout this period, Glass supported himself as a New York cabbie and as a plumber, occupations that often led to unusual encounters. "I had gone to install a dishwasher in a loft in SoHo," he says. "While working, I suddenly heard a noise and looked up to find Robert Hughes, the art critic of Time magazine, staring at me in disbelief. 'But you're Philip Glass! What are you doing here?' It was obvious that I was installing his dishwasher and I told him I would soon be finished. 'But you are an artist,' he protested. I explained that I was an artist but that I was sometimes a plumber as well and that he should go away and let me finish."Source: https://www.theguardian.com/education/2001/nov/24/arts.highe...
by mrec
2/26/2026 at 5:21:53 PM
Chelsea Light Removals> Here Reich fell in with musicians, dancers, sculptors and filmmakers. Sculptor Richard Serra was a neighbour of Reich’s at the time in Lower Manhattan, as was experimental filmmaker Michael Snow. For a brief period, Reich helped out with fellow minimalist Philip Glass’s removal company, Chelsea Light Moving. He recalls paying $65 a month in rent for a loft on Duane Street. “But I had a hard time paying that,” he says.
From
https://www.ft.com/content/02edd1fa-8e18-4483-ba24-7559d329a...
(also https://archive.is/C1TiZ)
I recollect reading that Reich made a definite decision against teaching as a day job because of the demands if you do it right.
by 2b3a51