3/26/2025 at 6:14:59 AM
Of course! Of course you have to do color correction on all the different cameras pointed from different angles at a sports event.I absolutely love reading about hard problems that are invisible to most people.
by laserbeam
3/26/2025 at 8:44:34 AM
Yes, it's one of those super-niche & super important functions that are obvious once you know about them, but would never think about otherwise.by abrookewood
3/26/2025 at 8:57:10 AM
Why is it super-important?by myst
3/26/2025 at 9:33:30 AM
Because events using many cameras without this type of setup would cause jarring visual differences when switching between one camera/view to another during the broadcast.by GiorgioG
3/26/2025 at 3:20:42 PM
Why wasn't it jarring in early Superbowl games?by HeatrayEnjoyer
3/26/2025 at 4:18:09 PM
There was even more color correction happening then - cameras were worse and more analog! It just was not being controlled from offsite, instead there was a dedicated room and engineer in the broadcast truck doing camera configuration + color correction.The usual technique was to start by holding up a color card on the stage/floor then use a vectorscope[1] and get all the dots to line up in the right place. Then with a waveform monitor for exposure. During the event, there would be fine tuning by eye, or as things drifted out of line.
[1] https://en.wikipedia.org/wiki/Vectorscope#/media/File:PAL_Ve...
PS: You can also see modern vectorscope / waveform monitor images in this photo from the cyanview blog. Look for the black and white X-ray looking things on the screens. https://www.cyanview.com/wp-content/uploads/2022/10/20221006...
by danielvf
3/26/2025 at 3:38:37 PM
They used around 150 cameras for the last Super Bowl. Most of them were Sony studio cameras, controlled with Sony remotes to ensure perfect alignment. But now, they’ve added a lot of specialty cameras: probably 4 or 8 pylons, each equipped with 2 to 4 cameras, plus drones, handheld mirrorless cameras, mini high-speed cameras, and a few other mini-cams for PoV (Point of View) shots. Last year, they even had a mini-cam inside the cars driving from the Bellagio to the stadium, controlled remotely over cellular. An Elixir process ran on a RIO in the car to manage the camera and connect to a cloud server, while the remote panel was linked to the same server to complete the connection. All three ran Elixir code, with the cloud server acting as a simple data relay.If you want the green of the grass on all the pylon cameras to match your main production cameras, adjustments are a must. And with outdoor stadiums, this is a constant task—lighting conditions change throughout the day, even when a cloud moves across the sky. When night falls, video engineers are working non-stop to keep everything perfectly aligned with the main cameras.
by davidbou
3/26/2025 at 3:29:52 PM
Fewer cameras, lower resolution, poor color rendering even with one camera anyway?by lgeorget
3/26/2025 at 5:00:57 PM
And less color fidelity on receiving displays I would imagine!by devmor
3/26/2025 at 2:35:29 PM
I don't think he's saying the end this tech is serving is super important (televised professional sports), only that in order to televise professional sports and other events requiring similar camera work, it is important to do this kind of stuff.by lo_zamoyski
3/26/2025 at 7:23:53 PM
If you've ever watched a poorly-produced porno where the colors change with every camera cut, you'll know why....by pdntspa
3/27/2025 at 6:35:00 AM
It’s the basis for the 99% invisible podcast.... I loved the one about elevators.by rekttrader
3/26/2025 at 9:07:52 AM
[flagged]by johnisgood
3/26/2025 at 10:47:00 AM
You would be surprised. When my brother was a movie theater manager he got invites to a lot of pre-screenings of movies. I was able to go with him a few times and I'll never forget seeing my first movie print before it went through color correction and ADR/sound balancing. Without those steps (and I'm sure others I'm not aware of) the movie experience was very jarring (and somewhat funny).by dugmartin
3/26/2025 at 9:40:28 AM
Your comment is dismissing the entire field of color correction. That is not just a thing for this project, it is a part of literally every movie and TV show you watch and has been since the inception of colour film.by sagacity
3/26/2025 at 1:23:21 PM
I got into color grading still photos last summer. In my case it is not "correction" to the truth but rather making a set of images conform to a brand image. (I had a day when I went out to a beauty spot and packed the wrong lens, I made up a story about another photographer who had a camera from an alternate timeline and developed a method to take distinctive pictures with a cheap lens)Funny the only kind of picture that I don't color grade are sports photos because I don't want to mess up the color of the jerseys, though if I was careful in how I did it, it would be OK.
I have been struggling to develop a reliable process for making red-cyan anaglyphs and one step of the process would be a color grade that moves colors away from reds and cyans that would all be in one eye or the other eye. I've got to figure out how to make my own LUT cubes to do it.
by PaulHoule
3/26/2025 at 5:18:54 PM
Sounds interesting, is there somewhere we can see your work?by AlecSchueler
3/26/2025 at 12:50:38 PM
Are they dismissing it, or are they just ignorant (which is totally OK) and need to be shown the way? They've literally asked if it's "really important", perhaps we could answer that question?by jjulius
3/26/2025 at 12:54:34 PM
In all fairness, I edited my comment, I did say "I don't think it's important", but it was indeed due to ignorance, as well as ask if it really is important.by johnisgood
3/26/2025 at 12:54:19 PM
>perhaps we could answer that question?Perhaps they could read the article prior to asking because some of those questions might be answered in the article?
by ziddoap
3/26/2025 at 12:55:05 PM
Might be, or is?by johnisgood
3/26/2025 at 12:56:48 PM
I know of a great way that you could find out whether your questions are answered in the article!by ziddoap
3/26/2025 at 1:14:17 PM
Sorry, didn't get to the end of your comment. What's the answer?by mhb
3/26/2025 at 5:03:03 PM
>SorryApology accepted. If you wrote anything after the apology you'll have to have your AI talk to my AI because I didn
by h3half
3/26/2025 at 9:42:09 AM
I did not intend to dismiss color correction as a whole, my bad if it came across as such.by johnisgood
3/26/2025 at 9:46:54 AM
Perhaps the reason you're dismissing it is because it is so ubiquitous (and well done) you have never really noticed that it was even a thing? :)by sagacity
3/26/2025 at 9:59:12 AM
It could be the case, yes. My friend studied and works in optics (physics & CS) but we have not talked about it, not even sure color correction is something related to optics but could be. Perhaps the time to ask has come now. :Pby johnisgood
3/26/2025 at 4:33:43 PM
Usually color correction happens in post-production, where optics are developed pre-production. Definitely, poorly designed lenses will have color casting and fringing issues, but color correction is largely about balancing colors across various lighting conditions / sources. (Think Daylight vs. Warm bulbs. Now think about how many lights are in a football stadium.)by johnmaguire
3/26/2025 at 5:08:04 PM
> Think Daylight vs. Warm bulbs. Now think about how many lights are in a football stadium.This example helped, I think. Thanks!
by johnisgood
3/26/2025 at 2:35:02 PM
It's about more than color correction. The software they have lets people in the control room set all the parameters on the cameras, so instead of having a camera operator do it behind the camera they do it from the control room, which might even be on another continent.by PaulHoule
3/26/2025 at 9:29:28 AM
With all the switching between camera angles during a sports broadcast, the difference in white balance, brightness and color grading would be really distracting and annoying.by andruby
3/26/2025 at 10:36:44 AM
Perhaps it’s so important that you take it for granted, even though it took a great deal of effort from others to make sure you don’t notice the problem in the first place.by mikedelfino
3/26/2025 at 7:07:17 PM
This lovely color correction article was posted on HN years ago: https://prolost.com/blog/2010/2/15/memory-colors.htmlby YesBox
3/26/2025 at 9:34:28 AM
It if wasn't that important no one would buy it. Doesn't matter how good your sales people are, if the product doesn't solve a real problem, it's very unlikely you will sell it in a sustainable way.by dagi3d
3/26/2025 at 9:38:51 AM
> if the product doesn't solve a real problem, it's very unlikely you will sell it in a sustainable way.I do not believe this. If you look around, there are many non-issues being sold as real problems[1], and people buy it. People buy all sorts of crap, that is just consumerism in effect. If you did sales, you probably know this. Same thing with "bullshit jobs". Perhaps "sustainable" is the keyword here, but I am not so sure about that either.
[1] Snake-oils comes to mind. Pretty flourishing business.
by johnisgood
3/26/2025 at 10:00:18 AM
On the whole though, B2B sales (as this would be) are generally much more rational than consumer emotive/fantasy-driven marketing and sales. Its not like perfume sales. There are usually several people who hold each other to account and need rational justification for things, products need to demonstrate their value and meet several metrics that are reasonably objective. Not that emotion/status/gut holds no part, but that it biases the decisions to a much lower degree in B2B.by guiriduro
3/26/2025 at 11:25:02 AM
AG1 is a spectacularly good example of a marketing led product that doesn’t solve any real problems.by iamacyborg
3/26/2025 at 4:55:30 PM
(Would) Solve the problem of paying labor.by goatlover
3/26/2025 at 10:04:07 AM
[dead]by fuckbrownpeople
3/26/2025 at 2:14:56 PM
This is sorta beside the point about color-grading, but I don't entirely agree about a product needing to solve a real problem.I worked a startup that had decent tech, but a shit product. Wasn't focused enough to really solve clients' issues. Maybe alleviated some issues, but also introduced more. It was disliked by the people who actually had to use it. But our sales guy was really good at convincing those peoples' bosses that it would make the company more money.
It was a total top-down sales approach. Throw a bunch of buzzwords at the founder/CFO/boss, they force it on the people actually doing the work. I hated it, and it worked so well that fixing the product was never a priority. It was always new "features" to slap on more buzzwords to the sales pitch. I really think it could've been a good product, too!
by chamomeal
3/26/2025 at 3:00:30 PM
We're still a rather small team of mainly tech people, we don't have a single sales person in the traditional way (not yet). Ghislain was able to develop an architecture that we could count on as being reliable while being able to quickly experiment in all directions and build on top of what was started. We were never really afraid of major failures as the system has been proven to be robust after the first 2 years (everything was started from scratch, including hardware).As we were able to very quickly respond to customer demands for anything special that they would need, they ended-up being our main sales channel by recommending the solution further. And nearly 10 years after, we're still pretty much on the same model, trying to keep up with the developments, delivering products and supporting our customers. The website is outdated and it's been years we're trying to make any progress there, eventually we'll succeed at that.
by davidbou
3/26/2025 at 3:33:03 PM
Congrats on an incredibly impressive and technically complex product.Operating such high visibility events like the Olympics sounds pretty nerve-wracking. How much of an issue is security for you? Do you experience any attacks?
by dr_kiszonka
3/26/2025 at 4:03:38 PM
Security has been a hot topic for the past few years, but it's getting even more attention now. Fortunately, it’s mostly a concern for production facilities, and the most effective solution is often complete isolation—most production networks don’t have internet access at all.With the rise of remote production (where the control room is located at headquarters while cameras and microphones are on-site at stadiums), broadcasters are implementing VPNs, private fiber connections, and other methods to stay largely separate from the public internet.
In our case, the only part that uses the public internet is the relay server, which is necessary when working over cellular networks. Security is one of the main reasons we haven’t expanded this service into a full cloud portal yet—it’s much easier to secure a lightweight data relay with no database, running on a single port, than to lock down a larger, more complex system.
by davidbou
3/26/2025 at 5:02:58 PM
I want to add that the relay server is never handling any customer secrets (so a low value target), and we have techniques in place to reduce the probability of DoS (increase the cost to the attacker).So even if someone would be able to break into the server through the small attack surface, he would not be able to change any setting on any of our customer's devices. Or even read any status either. Of course, if someone can break into our server, the DoS is inevitable, but so far this never happened.
by ghislainle
3/26/2025 at 9:23:54 AM
The article doesn't go in detail about how they solve that. But that's the key problem they highlight as being solved. It's a product which manages multiple cameras for events, and color correction is one of those "obvious in hindsight" problems to be solved.by laserbeam
3/26/2025 at 9:40:08 AM
Managing multiple cameras is definitely something I would consider important, but keep in mind I am not knowledgeable at all about the entertainment industry.by johnisgood
3/26/2025 at 9:56:53 AM
I interpreted that Cyanview controls color settings in cameras, but video doesn’t run through their product. I wonder if an AI model could efficiently balance colors after the video mixer, especially if the incoming feed was in 10-bit color depth and the outgoing feed 8-bit.by anttiai
3/26/2025 at 10:16:05 AM
It if wasn't that important no one would buy it. Doesn't matter how good your sales people are if the product doesn't solve a real problem, it's very unlikely you will sell it in a sustainable way.by dagi3d
3/26/2025 at 3:24:43 PM
there is also a hardware dongle on the camera to give the operations team remote control to settings that aren't internet accessible.by dekhn
3/26/2025 at 12:52:37 PM
Upvoting this because I don't think it's fair to downvote someone for trying to understand why something might be more important than they otherwise would've thought.by jjulius